A film director confides in his interlocutor. He talks about the working process, about creative blocks, about artistic crises and expressive forces. At some point, the idea takes hold that this conversation could be turned into a film. And this is the very film we�re watching the two of them in.

The life of Admiral Isoroku Yamamoto from the early 1930�s to his death at the hands of the US military in 1943.

A young woman struggles for independence.

In the process of shaving, a young man cuts himself. A lot.

There are two plots in this movie and oddly enough, they don�t intersect. One plot follows the revenge of a martial artist whose husband is killed. The other follows two cops who like to punch and kick their way around.

A Miami college student finds himself framed for the murder of an evangelist�s son. He hooks up with an Asian witch and a stripper to find the real killer and clear his name.

A trigger-happy outlaw goes on the run and a burned out, disillusioned cop gives chase. They end up head-to-head in a Los Angeles shoot out.

A gunfighter forms a gang of �deceased� execution victims to get revenge on the politician and outlaw who killed his wife.

The outrageous Baron Munchausen tells of his many adventures, from meeting the Man in the Moon to defeating a Turkish army all by himself.

A group of seven strangers try to survive and escape from isolated Los Angeles that has been infected by a strange, human changing virus.

Shortly after a chemical weapon explosion in the Nevada desert, two scientists find themselves confronting a sinister cover up, and a band of hostile survivors who are looking to escape the quarantined area known as .

After a tied 1st place in a local stunt race, two drivers start a contest to decide who of them will own the prize, a dune buggy. But when a mobster destroys the car, they are determined to get it back.